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Titian created his grand canvas specifically for Ferrara Alfons d'Este. The customer himself proposed the plot of this creation. At this time, there was a struggle with the popes, and a slogan was chosen for her that Caesar needed to pay back what was due to him.
Titian was thrilled by the philosophical depth of this famous plot. Back in the 15th century, Leonardo was able to contrast the baseness and nobility of man. Titian also felt these contradictions characteristic of his time. Dark and light forces clash on its frescoes.
In his painting "The Caesar's Dinarium" this contradiction is resolved differently. We feel a huge depth of psychological plan. The theme becomes universal and acquires the maximum loud sound.
The Pharisees decided at all costs to destroy Christ. They were afraid to kill him. The whole plan was invented. A man with a dinar was sent to Christ. He asked if Caesar needed to pay taxes.
This question was a trap. If Christ answers in the affirmative, then the entire population of Judea will certainly be opposed to him. If he answers negatively, then the Roman authorities will certainly punish him for this. But Christ did otherwise. He asked the Pharisee what was depicted on the coin he brought. The man was surprised and replied that on the one hand - God, and on the other - Caesar. It was after this that the phrase was pronounced that everyone should receive what is due to him.
The picture is very simple. The artist simply juxtaposed two people. There is no drama in this. The figures are monumentalized, details are missing. All attention is focused on the characters. The images are very capacious and most concentrated. Christ filled almost the entire canvas. It stands out against the background of red and blue colors.
Titian conveyed the theme of the meeting of completely opposite worlds: ideal and real.