The painting by Vladimir Tatlin The Model was painted in 1913 and became part of a series of works by the author, made especially for the Tretyakov Gallery. This group of works characterizes the artist who goes through a difficult creative path, starting from the everyday description of the body that is somewhat everyday, to the realization that the human body is a very complicated device that you cannot just admire.
We do not see faces, we can hardly sort out the outlines of hairstyles. The artist here cares more about the geometric plane and volume, rather than the model. The model looks closer to the genre of sculpture than painting.
The technique and color palette used in this painting testify to the influence of traditional Russian woodcuts, icon painting and folk art. Although there are elements of cubism in Nude, such as a distorted perspective and the destruction of forms in planes, this is not a Cubist picture. The image consists of curved planes and lines and is close in plan to the icons of the Renaissance. It should be noted that the use of curvilinear forms continued in Tatlin's works up to his famous Monument to the Third International.
However, the small palette and combination of white highlights and black outlines, clearly traced, refers us to Russian traditional icon painting. Tatlin seems to be trying to convey to the viewer that a new icon appears in the picture, replacing the old regime. This is an icon for modern people, naked, inciting them to action, bringing with it inexorable changes in society.